基奴·李维斯Kea
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里克·雅各布森
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该剧为原版的后续和拓展,如果《斯巴达克斯:复仇》第二季的结尾,Ashur(尼克·塔拉贝 Nick E. Tarabay 饰)没有死在维苏威山,如果他因为帮助罗马人杀掉斯巴达克斯并终结奴隶反叛而被赠与了曾属于巴蒂塔斯的角斗士学院,会怎么样?
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里克·雅各布森
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该剧为原版的后续和拓展,如果《斯巴达克斯:复仇》第二季的结尾,Ashur(尼克·塔拉贝 Nick E. Tarabay 饰)没有死在维苏威山,如果他因为帮助罗马人杀掉斯巴达克斯并终结奴隶反叛而被赠与了曾属于巴蒂塔斯的角斗士学院,会怎么样?
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马滕·穆尔凯尔克,拉夫·林特因斯
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Returning for an extended duration of eight episodes, Patience (Ella Maisy Purvis) will continue her work in the police criminal records department of City of York Police after establishing herself as an invaluable member of the team, bringing her unique insight into a series of perplexing cases. However, when a new boss, Detective Frankie Monroe (Jessica Hynes) brings a very different management style, it proves tricky for them both to navigate. Love is also in the air in this series as Patience begins a relationship with a work colleague Elliot and the police department gets a makeover with the arrival of a new PR consultant all whilst tackling intriguing crimes in extraordinary settings such as York Minster.
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巴里·索南菲尔德
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一位是作风矫健、机智幽默的联邦特工威斯特(威尔·史密斯 Will Smith 饰),一位是爱耍聪明的易容大师高登(凯文·克莱恩 Kevin Kline 饰),这两个看似一山不容二虎的狠角色却被总统同时召见了,原因是授命他们一同追捕一名神秘毒辣的科学家连环杀手。威斯特和高登只好在摩擦碰撞中培养默契,竟然很快成为一对绝配拍档。经过调查,两人发现原来幕后黑手竟然是曾经的天才博士勒弗里斯(肯尼思·布拉纳 Kenneth Branagh 饰),他因在一次实验中失去双腿,只好永久呆在轮椅上,然而残缺的个性与对社会的怨恨让他开始到处作乱,甚至发明了一架巨型的蜘蛛机器滥杀无辜,并企图谋杀总统,统治美国。危机迫在眉睫,威斯特和高登分头来到新奥尔良,驾驶着一列布满机关的火车迎战蜘蛛博士,一场古怪武器间的斗智斗勇已悄然展开……
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格奥尔基·班克斯-戴维斯
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第二季的故事发生在第一季结束八年后,军情六处的特工乔纳森·派恩(汤姆·希德勒斯顿 饰)以为自己彻底埋葬了过去,如今他的化名叫作亚历克斯·古德温,在伦敦负责主导一个秘密监视小组,生活平静安逸。然而某晚,他偶然瞥见一位过去受雇于理查德的佣兵,并促使他再次行动,与哥伦比亚商人泰迪·多斯·桑托斯(迭戈·卡尔瓦 饰)发生冲突。 在这段危机四伏的新旅程中,派恩结识女商人罗克萨娜·博拉诺斯(卡米拉·莫罗 饰),她勉为其难帮助派恩潜入泰迪在哥伦比亚的军火行动。抵达哥伦比亚后,派恩深陷一场涉及武器和游击队训练的致命阴谋。随着敌我局势愈加难分难解,派恩急迫揭露一场旨在扰乱国家安宁的阴谋,但背叛如影随形,他必须决定自己究竟需要赢得谁的信任,以及在为时已晚之前,自己愿意付出多大的代价。
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John Baumgartner
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Jacob takes a job at an isolated lighthouse, hoping to reconnect with a childhood friend. As strange events unfold, he grapples with reality, anxiety, and fractured memories while finding romance and an unexpected bond with the owner.
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Maurice Hübner
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Die Handlung macht einen Zeitsprung von 14 Jahren und zeigt die Familie Schöllack, die mittlerweile mit drei Generationen in der Wohnung über ihrer Tanzschule lebt. Während sich die Matriarchin Caterina weiterhin in das Leben ihrer Töchter einmischt, führt die älteste Tochter Helga die Tanzschule und kommt dem Zahnarzt Hannes näher. Monika konzentriert sich auf die Tanzkarriere ihrer Tochter Dorli. Währenddessen kehrt Eva nach 14 Jahren aus dem Gefängnis zurück, und es fällt ihr schwer, wieder einen Platz im Leben zu finden. Die Familie wird von Linda Müller begleitet, die für einen Fernsehsender eine Dokumentation über das Traditionsunternehmen „Galant“ drehen möchte.
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Cole Davidson,Matthew Luke Tucci,约翰尼·哈洛兰,亚历克斯·巴伯,保罗·坎达里安,艾米·苏·福尔,马修·卢克·图齐,杰夫马克,Gina Barber
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After an eccentric billionaire creates a drug called INOC which stops the aging process effectively eliminating death itself, the future of a world where death no longer exists is seen. Through a seemingly harmless children's toy, the story of the fate of mankind is told while also revealing an elusive truth to its unknowing spectator.
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迈克尔·珊农
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Michael Shannon directs an adaptation of Brett Neveu’s 2002 play about a mother coping with the fallout after her son murders three of his high school classmates. Janice (Judy Greer) is struggling; she moves through life as if in a haze, unable to let go of her anger and frustration. While her husband (Alexander Skarsgård) has found refuge at a new church, Janice finds it hard to seek solace in her faith despite her pastor’s pleas to heal her wounds by meeting with the mothers of her son’s victims. As Janice ponders what that meeting could achieve for her and her community, Eric LaRue asks audiences to witness the frayed emotional ripples that violent acts can engender. Anchored by Greer’s deeply arresting performance, Shannon’s directorial debut grapples head-on with frustratingly timely conversations about who deserves our compassion and grace. Standout supporting turns by Tracy Letts and Alison Pill, who capture a subtly unnerving vision of spiritual fanaticism, stress the film's interest in complicating facile views of atonement and forgiveness in light of such tragedies.






























